"Space precludes a full consideration of all the new features, but, for me at least, the headline offering – full CD production without leaving Sound Forge 10 – makes this a very worthwhile upgrade on its own." – John Walden for Sound on Sound
In an interview with Studio Monthly, renowned underwater cinematographer Jean-Jacques Mantello states of working with Vegas Pro, "it's the first time in my life that an editing program doesn't crash, even with heavy, hi-res files."
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Chaos Theory Electronica
Hard electro beats, synth experiments, mechanized rhythms, rich textures, FX and more, built to test the limits of electronic music. Download only
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ACID Pro 7.0e
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Dyemi
Khemique
Vince Constantino
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Power of Image
February 23-24, 2010
Plató Entijuana Barcelona
calle Padilla, 242, Bajos 1ª - 08013 Barcelona Spain
13th Fair of Photographic, Film and Video Equipment 2010
March 25-27, 2010
Wolczanska Street 199
90-531 Lodz, Poland
NAB 2010
April 12-15, 2010
Las Vegas Convention Center
Las Vegas, Nevada
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Just another benefit of becoming our fan on Facebook; starting this month we're introducing Facebook-exclusive promotions. Only Facebook fans will be notified of these limited-time offers. Become a fan today to take advantage of great promotions!
February's Facebook-exclusive promotion is 20% off...well, you'll need to become a fan to see it!
Webinar now available for on-demand viewing!
Explore 10 powerful techniques to help you edit more quickly and proficiently in Vegas Pro software. Ranging from simple to more advanced, each of these methods holds a key to super charging your editing process.
We've now answered over 150 of the questions submitted by webinar attendees and made the entire webinar video available for on-demand viewing.
Click here to watch the webinar
Save the date! Monday, April 12, 2010 at 6:00pm.
The Sony Creative Software User's Event returns! This year the theme is "Solutions To Believe In." Check your email and follow us on Facebook for details closer to the date. Special appearances, prizes, and more. This event fills quickly – watch for future RSVP alerts.
From our sponsor:
Automatic Synchronization Plug-In For Vegas Pro
PluralEyes will save you hours in post-production whether you are doing a multi-camera wedding, recording external audio for your DSLR or lining up all the takes for a music video. PluralEyes analyzes the audio tracks to quickly determine the precise sync positions of your events without the need for timecode, clappers or any special preparation.
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Ted Perlman, Producer, Arranger, Guitarist, Composer, Engineer and Sony Creative Software user, writes to tell us that his newest production, Alessandra Rosaldo's latest CD "Alessandra" is rapidly climbing the charts in Mexico.
Alessandra's production utilizes all of our applications; ACID Pro for music production; ACID loops for content; Sound Forge Pro for mastering and CD production; and Vegas Pro for video editing.
Check out the video for La Octava Maravilla (8th World Wonder) here.
From our sponsor:
The Script Frenzy Challenge
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Participation is free and open to anyone and everyone. There are no monetary prizes awarded or scripts singled out. April's Script Frenzy is all about you and your desire to bash out that script that has been lurking in the recesses of your mind!
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Long-lost recordings from The Orkustra have been released by White Dog Music on a beautiful two LP set. All tracks remastered in Sound Forge Pro. Check it out here. Pitchfork gives it at 7!
Byron Sellers is a song writer and producer who works with people like Carlos Bedoya (Beyonce, Mary J, Wheezer), Jeff Tomei (Smashing Pumpkins, Matchbox 20) and many other A-list producers. His most recent project is Dyemi; an artist-meets-producer combination that has grabbed international attention at a very rapid rate.
Byron writes, "I have been using Acid since version 3.0, and with the Dyemi project, I am using it live. I started doing remixes on ACIDplanet when it first launched, and I have found ACID to be the most user-friendly software I have worked with in music. The simple interface is perfect for learning how to navigate in recording. Editing is the one thing I dread most, but in ACID I can fly through editing and looping without problem. For the live shows, ACID is great because I can tempo change where needed; I know the levels I'm seeing are precise, and I can see the show in front of me, so making changes on the fly is very easy. With Dyemi 80% of the show is in ACID so I run my stereo mix as a track then run my click on another for the drummer. A decent computer and a 4 channel soundcard and wow!!! What a no-hassle way to run a tracked artist. Look out for my remix of Dyemi's "Addict" on ACIDplanet soon.
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